Monday, March 21, 2011

AMM - Generative Themes


AMM are the perfect group to bring up after part two of the essay I just posted, and Generative Themes is as good an album of theirs as I could hope to choose for an auditory example of some of the ideas discussed therein.  AMM was formed in 1965 with the stated intent to make music completely unrelated to any established genre.  By 1983 they'd gone through quite a few lineup changes but their group aesthetic had progressed somewhat close to the realm that they currently inhabit--free improvisation with a somewhat meditative feel, occasionally punctuated by noisy outbursts.

Generative Themes is a bit of an unusual AMM album because it's a studio recording--for this reason, it's made up of four discrete tracks instead of a single album-length track or an entire performance split up into gapless tracks for navigation purposes.  I'll be up-front--this is one of my favorite AMM albums (though I do have several favorites).  It's the first AMM album to feature pianist John Tilbury (a member to present day) and also the first to be saxophone-free.  The result is a somewhat intelligible mix of Keith Rowe's tabletop guitar and radio tuner, Eddie Prévost's percussion and Tilbury's prepared piano--for the most part each instrument is distinct and the personality of each performer is somewhat apparent, at least to a much greater extent than on the gloriously cacophonous AMMMusic or The Crypt.

Due to the nature of the album's recording, it's possible (though not necessarily obligatory) to make statements about each track as individual "themes."  The first is reminiscent of somewhat quieter early AMM--Rowe's guitar creates a gently percussive droning atmosphere, like he's dragging a pick (though it's likely something else) slowly across the coils of the strings.  Inaudible radio lurks in the background, with the occasional word or phrase popping out into the space left by the musicians.  Eventually Prévost joins in with toms and cymbals, and Tilbury makes some opening statements with the piano--the prepared instrument sounds at times more like a wooden xylophone than a piano--it's otherworldly.  The second theme finds Rowe conjuring more uncommon sounds out of his guitar, with repetitive waggling noises and some liquidy but tuneless drones (sorry, this is the best way I can describe it).  The overall texture of the track is dynamic, with lots of spaces between the piano notes and drum beats--sort of like popcorn popping, but much more engaging.  After listening to a lot of more recent AMM albums, it's a fun change to hear Prévost playing like an actual drummer--the track winds together on the last couple of minutes into as close of a groove as AMM probably ever get, with delightfully wonky beats on the drums and some aggressive keys from Tilbury. The third theme is more brooding, with some great Rowe radio moments (at one point a child's voice audibly calls "It's a pie--it's hot!"), and Tilbury playing low on the keyboard's register.  There's still plenty of space between short bursts of sound--the texture is mottled, almost playful, at times.  The final theme conjures some of the early AMM spirit--some serious noise happens, with a barrage of radio ("the GEEK"), lots of tom and cymbal work from Prévost, thick clusters on the piano, and some wild, overdriven guitar squalls.  Just five minutes before the end, the clouds break and things quiet down--the space returns, leaving pause for thought and the occasional brief noisy surprise from drum or piano.

Because of its abstractness, it's tough to write about this kind of music in any great detail, but among the AMM canon I think Generative Themes presents a pretty balanced amount of each personality as well as a good mix of old AMM/new AMM, quiet/loud, spaciousness/density, fast/slow, and the ever-present (yet easily-forgotten) element of chance--things lined up quite well, from Rowe's blind radio pulls to the collective teetering grooves which develop only to quickly disappear.  This would make a good first exposure to AMM. 

Get 'er here from the label, or from Amazon: Generative Themes.

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