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Come November,I need someone who'll pander to my beliefs
In brief--
If he wants my vote, rote memorization of newscast persuasions won't do
True, they can be compelling but selling's not always the top goal
--full stop (whole)
I'm afraid we disagree
I want someone who's said, instead of
"God bless us,"
"Maybe our messes stem from our own hands."
Grand speeches reach us, teach us false pride
While others deride what our real progress lacks
--tax.
I need somebody who knows some wars aren't
worth beginning (or winning)
Who knows that a rifle and a contract a hero
do not necessarily make
Take, for example the so-called bravery
of slavery to flags and empty ideals
that steal your days to pay the already rich
--you were tricked!
Please, show me someone whose thoughts aren't bought
by the sheen of a preening wool-pulling machine
Whose spleen stomachs all sides
not non-sides of meaning
manufactured for our end
Send someone quick who's not too thick to shout:
"The more we know, the less it shows!"
Whose throat parches at our sleepwalk forced marches--
Our arms raised, bills brandished in bare fists
kissed by the flaccid promise of
satisfaction from checking purchases off a perpetual list
--will you ever get pissed?!
I need someone who's aware change doesn't happen
in two- four- and six-year increments
Whose implements and wisdom are unhurried
Who's worried, to boot
Who's worried, to boot
that the root's that there's more new ones breathing
than older ones leaving
I need someone who doesn't exist
If you need me,
I'll be dangling my feet in the water,
my slaughtered ballot already confetti
in the victorious breeze
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An uncommonly political song for me (though the conclusions are perhaps familiar) and a solid step forward on the poetry side of things. I've been having lots of fun lately getting more and more fluid with rhyming--both in placement and how accurate/imperfect the rhyme is--and this song is the tip of the iceberg. The process has been freeing, allowing for some associative ideas to arise unexpectedly, though at times to the extent that the resulting poems are totally unfit to accompany songs. I wasn't sure if I could do it with this one, but it's actually been fun performing the serpentine thing. There is no structure other than a repeating melodic motif, though it's fairly firmly in a single key--you'll forgive a few departures, right? I'm going to try not to beat these things to death and make people work a little harder, but I will say that I couldn't resist intentionally mixing a couple of bodily metaphors. Bad poetry--C minus.
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